Name: Low Price Piano Trio 2
Brand: Amelia Piano Trio
SKU: SK0203999-US20260105-083122
Availability: InStock

DISC: 1

1. Piano Trio No.2 ‘Short Stories’: I. Tale

2. Piano Trio No.2 ‘Short Stories’: II. Ballad

3. Piano Trio No.2 ‘Short Stories’: III. Rumors And Reports

4. Piano Trio No.2 ‘Short Stories’: IV. Enigma

5. Gatsby Études: I. Parlors

6. Gatsby Études: II. Parties

7. Gatsby Études: III. The Green Light

8. The Violist’s Notebook, Book I: I. —

9. The Violist’s Notebook, Book I: II. —

10. The Violist’s Notebook, Book I: III. —

11. The Violist’s Notebook, Book I: IV. —

12. The Violist’s Notebook, Book I: V. —

13. The Violist’s Notebook, Book I: VI. —

14. The Violist’s Notebook, Book II: I. —

15. The Violist’s Notebook, Book II: II. —

16. The Violist’s Notebook, Book II: III. —

17. The Violist’s Notebook, Book II: IV. —

18. The Violist’s Notebook, Book II: V. —

19. The Violist’s Notebook, Book II: VI. —

20. 10 Micro-Waltzes

21. Cucaraccia And Fugue: Cucaraccia

22. Cucaraccia And Fugue: Fugue

23. Cello Suite: I. Preludio

24. Cello Suite: II. Fuga – Burletta

25. Cello Suite: III. Sarabanda

26. Cello Suite: IV. Giga

27. Piano Trio No.1

Details:

Amelia piano trio

More Info:

Born in 1938 into a musical family, John Harbison studied at Harvard, and with Roger Sessions at Princeton. He is one of America’s most accomplishedmusicians, with four symphonies, three operas and a Pulitzer Prize-winning cantata to his credit. Of his Piano Trio No. 2, Harbison writes: `[It] makes little contact with the Mozart-to-Shostakovich central trio repertoire, and a great deal with the transparency, ambiguity, and shiftiness of Papa Joseph Haydn’. The Gatsby Etudes, `pianistically challenging and fun to play’, were written while Harbison was preparing the opera The Great Gatsby for production by the Metropolitan Opera. The Violist’s Notebooks were inspired by Bartolomeo Campagnoli’s (1751-1827) Caprices for viola, Harbison’s own instrument. Other works on this disc include an earlier piano trio and a cello suite, which the composer describes as `baroque in origins, more private, and very compact’.